Dancing Full Out

In dance, there's a phrase that's often used; dancing "full out." Performances are danced "full out" whereas rehearsals may or may not be danced "full out." What the phrase means is to dance at one's best, to dance to the fullest potential possible, to dance with passion, emotion, and energy. To dance "full out" is to give the audience the best of you, to become immersed in the character, to leave your heart out on the stage by the end of the piece.

And yet it takes a lot of work to dance like that.

First its learning the steps, the movements, the type of dance, the style, all the basic elements. It's about learning the timing, the dynamics of the piece, and mastering the difficult turns or jumps. Then come multiple rehearsals solely focused on memorizing and perfecting the dance. Most often this becomes the time when constructive criticism from the choreographer or director helps to "clean" the piece. All the while the emotions and passions of the dance slowly begin to build and take form, and every so often the dance is rehearsed "full out" so that the dancers can get a taste of what it's like to perform at their best. Then finally, the piece is performed completely "full out" to a live audience, and is received with a loud applause.

Dancing full out.

It's a lesson that I'm learning towards the end of this summer. To dance at my best, go at it hard, even though the rehearsals are difficult, draining emotionally and physically. To jump in with both feet, knowing that I'll land in the water, or rather in His arms. And even though I know that there is the possibility that sharks might attack me, that I might flounder in the water for  bit, or that I might even hit the rocks at the bottom, its learning to have the faith that I'll get out of that ocean current. Maybe a bit bruised and hurt, but ultimately stronger for having fought the battle, and hopefully a bit wiser.

And dancing full out is hard. You may know all the steps and be perfect at them, but it doesn't lead to a great dancer. Dancing full out means involving a bit of your soul in the movement, into the song. You have to be vulnerable enough to the possibility of exploring inner emotions, some of which could be painful. But yet the payoff is that the emotions, no matter if they are happy or sad, become a source of strength to the dancer. 

And this makes the dance and the dancer beautiful.

Of course there is a balance. Too much emotion and it becomes overwhelming, and even hinders the dancer from performing. Not enough emotion leads to a dull performance that no one wants to watch.

But with just the right balance and confidence, beauty arises with a grace-full twirl.

And faith leads to the sound of a brilliant applause.